End of summer 2.


                                         hedge and string. oil on canvas. 179x149 cms

And so I looked again at space surrounding my workspace and I looked through boxes of black and white photographs seeking a clue, some organisation of, and push and pull of a space. I can see it when I am outside or considering how to extract something from what I am seeing that will work on a number of levels in the painting. It is however the sometimes badly made photographs that will provide the clue, the yeast which develops the painting itself. That question of what am I looking at that interests me. 


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